{"id":1838,"date":"2003-08-12T00:00:00","date_gmt":"2003-08-12T00:00:00","guid":{"rendered":"http:\/\/banneroftruth.co\/us\/resources\/articles\/2003\/a-psalmody-debate"},"modified":"2003-08-12T00:00:00","modified_gmt":"2003-08-12T00:00:00","slug":"a-psalmody-debate","status":"publish","type":"post","link":"https:\/\/staging.banneroftruth.org\/uk\/resources\/articles\/2003\/a-psalmody-debate\/","title":{"rendered":"A Psalmody Debate"},"content":{"rendered":"<p><P><b> After          the debate, President Joseph Pipa asked the audience how many there          who had come to the debate wondering about the issue, had been swayed          to          lean in one direction or another as a result of the debate. Several          dozen          hands went up. When he asked how many had been absolutely persuaded          as a          result of the debate, evidently no hands went up. <\/b>    <\/p>\n<p> In Taylors, South Carolina, on March 13, 2003          on the final morning of the          Greenville Presbyterian Theological Seminary Conference on Worship          a debate          took place on the doctrine known as &quot;exclusive psalmody&quot;,          that is, the          question of whether the church should sing the 150 psalms in public          worship          to the exclusion of all other songs, especially uninspired compositions.                <\/p>\n<p>          Throughout the Presbyterian and Reformed community, in relatively recent          history, the question of the content of worship music has become a          vibrant          issue only over the past decade or so. For example, when the Presbyterian          Church in America (PCA) was founded in 1973, the issue within PCA circles,          was almost totally unknown. However, through a variety of means, the          question has, as it has done in centuries past, generated extensive          discussion in the Reformed world.                <\/p>\n<p>          One of the factors which impacted the discussion was the 1990 International          Psalmody Conference, held at Bonclarken, Flat Rock, North Carolina,          a          conference which was commended or endorsed by several denominations,          including the PCA. Two years later, the PCA General Assembly answered          in          the affirmative an overture from Central Georgia Presbytery which advocated          the singing of psalms (though not necessarily exclusive psalmody).          The next          year (1993), the PCA Assembly voted to &quot;reaffirm that Psalm-singing          in the          worship of God is a Gospel ordinance, is commended by the Westminster          Confession; and is an historic practice of Reformed churches&quot;;          to &quot;give          thanks to God for the revival in the use Psalms and Psalm portions          in          contemporary worship settings&quot;; &quot;[t]hat congregations be          encouraged to sing          at least one Psalm at each of their services&quot;; and &quot;[t]hat          congregations be          encouraged to identify Psalm-settings as Psalms, when they are sung.&quot; The          same Assembly approved the publishing of the Trinity Psalter, in          conjunction with the Reformed Presbyterian Church of North America          (RPCNA).                <\/p>\n<p>          Designed as a supplemental manual of praise for congregations which          use a          hymnal, the Trinity Psalter is printed as a words only book. It made          its          debut at the 1994 PCA General Assembly; after 1000 copies were donated          for          perpetual use by the Assembly. The denominational bookstore sold out          of its          1000 copies of the Psalter which were available at the Assembly, and          took          800 back orders. Sales since that time have been in the tens of thousands.                <\/p>\n<p>          In recognition of the growing practice of psalm-singing among its          constituency, as well as the growing acceptance of the proposition          that          only the psalms should be sung in public worship, Greenville Seminary          sponsored today&#8217;s debate. Unlike debates at Greenville theology conferences          in previous years, this discussion was conducted in accordance with          formal          rules of debate. For example, each speaker was given twenty minutes          for an          opening presentation, with ten minutes each of rebuttal. After about          a          half-hour break, during which time each speaker consulted with an advisor          (his &quot;second&quot;), the debate resumed with each speaker being          able to pose          questions to the other. The debate concluded with fifteen minutes of          summation from each party.                <\/p>\n<p>          The question for the debate was the following: &quot;Do the Scriptures          require          the exclusive use of psalms for the content of our singing in public          worship?&quot;                <\/p>\n<p>          Speaking for the affirmative was the Rev. Brian Schwertley, pastor          of          Chalcedon Presbyterian Church in Michigan. Opposing him was the Rev.          Ben          Shaw, a professor of Old Testament at Greenville.                <\/p>\n<p>          BRIAN SCHWERTLEY ON EXCLUSIVE PSALMODY                <\/p>\n<p>          Mr. Schwertley began by noting that Scripture allows us to use our          words          for prayer and preaching. However, the same is not true for the content          of          our sung praise.                <\/p>\n<p>          The case for exclusive psalmody, according to Mr. Schwertley, is rooted          in          a strict application of the regulative principle of worship, as well          as the          sufficiency of the Psalter. With regard to the regulative principle,          he          noted that in order for a worship practice to be acceptable to God,          it must          be derived either from a direct command, or approved historical example,          or          logical deduction.                <\/p>\n<p>          There is, he stated, a positive warrant for psalmody, but no positive          warrant for uninspired hymns. Why sing psalms? he rhetorically asked.&quot;          Because there is an inspired hymnbook right in the middle of the Bible.          You&#8217;re obligated to sing all 150 psalms; it&#8217;s a moral obligation.&quot;          Furthermore, only psalms are used in the worship of Jehovah in Scripture.          In accord with this point, the Michigan pastor stated that the New          Testament repeatedly refers to David as a prophet, highlighting the          inspired character of what he penned.                <\/p>\n<p>          Mr. Schwertley said that a common objection to exclusive psalmody is          that          the term to &quot;sing psalms&quot; does not in Scripture contain the          noun          (&quot;psalms&quot;), but simply means to &quot;sing praise.&quot; He          countered that Scripture          defines what it means to sing praise, and that inspiration was necessary          for the writing of worship song.                <\/p>\n<p>          The debater affirmed the standard explanation that the three-fold term          of&quot;          psalms, hymns, and songs&quot; (found in the classic texts on the subject,          viz., Ephesians 5:19 and Colossians 3:16) refers to the inspired psalms          of          the Old Testament, and that the term &#8216;pneumatikos&#8217; (&quot;spiritual&quot;),          which in          this context must mean &quot;inspired,&quot; refers to all three nouns.          He also          argued that &quot;word of Christ,&quot; which is in the Colossians          passage, is          equivalent to &quot;word of God.&quot; And, he stated that the term &quot;new          song&quot; in          Scripture refers only to inspired songs.                <\/p>\n<p>          BEN SHAW ON THE NON-EXCLUSIVE USE OF THE PSALMS                <\/p>\n<p>          Professor Shaw argued that the mere existence of the Psalter does not          form          an express command to sing from it. In his view, there is no Old Testament          evidence that the Psalter or parts of it were used exclusively in the          temple, and no New Testament evidence that most or all of the Psalter          was          used in the synagogue. He also argued that the evidence that the Hallel          would have been sung at the Passover meal (as in Matthew 26:30), came          from          the Talmud, which was written 300 years after Christ.                <\/p>\n<p>          Mr. Shaw noted that James 5:13 ( &quot;. . . let him sing psalms&quot;)          contains only          the verb, &#8216;psalleo&#8217;, which simply means to sing praise. Conceding that          the          three terms of &quot;psalms, hymns, and songs&quot; are found in the          Psalter, he          tried to downplay its significance by pointing out that those three          terms          are only in the Septuagint (the Greek translation of the Old Testament),          which is not as accurate as the Masoretic Text (the Hebrew). Furthermore,          the terms are used outside of the book of Psalms to refer to other          compositions. In his view, the term &quot;spiritual,&quot; which does          not mean&quot;          inspired,&quot; is added to the word &quot;song&quot; because it is          the least religious          of the three nouns.                <\/p>\n<p>          SCHWERTLEY&#8217;S RESPONSE                <\/p>\n<p>          Mr. Schwertley began his rebuttal by saying, &quot;My dear brother          did not          demonstrate that &#8216;psalms, hymns, and spiritual songs,&#8217; refers to uninspired          hymns. He has not demonstrated with respect to worship where these          terms          refer to uninspired hymns. We let Scripture interpret Scripture.&quot; He          later          stated that there is not one example in Scripture of a song or hymn          used in          public worship that is uninspired. Noting that the Holy Spirit had          organized the 150 psalms into the Psalter, and also that the Westminster          Assembly and lawful Presbyterian General Assemblies of a bygone era          had          drawn the conclusion that therefore the church should use the Psalter          only,          he urged his listeners, &quot;Let us submit to our covenanted unity          and          Scripture.&quot; He added that the &quot;overhead projectors and Bobo          the Clown and          all that won&#8217;t fit in anymore&quot;; and he concluded his rebuttal          by noting          that the Trinity Hymnal contains hymns by Unitarians and feminists          and          Arminians.                <\/p>\n<p>          SHAW&#8217;S RESPONSE                <\/p>\n<p>          In his rebuttal, Mr. Shaw contended that there is a confusion in Mr.          Schwertley&#8217;s writing that is endemic, viz., with respect to the meaning          of&quot;          inspired.&quot; He stated that generally, &quot;inspired&quot; is equivalent          to&quot;          inscripturated.&quot; However, Mr. Schwertley and others want to have&quot;          inspired&quot; to refer to extra-canonical compositions.                <\/p>\n<p>          The professor stated that although a first century Jew &quot;might&quot; have          understood the three-fold phrase in Ephesians and Colossians to refer          to          the Psalter, the terms have a fairly broad meaning, and that a primarily          Gentile congregation would have understood them broadly. When the apostle          Paul avoided using the term &quot;The book of psalms,&quot; he was          directing us to          sing the Psalter only as part of what we should sing.                <\/p>\n<p>          THE SUMMATIONS                <\/p>\n<p>          After the mutual interrogation by the two participants, Professor Shaw          gave          his summation. He argued that we are commanded to sing a new song,          and          that the shadowy and typical nature of the psalms make them difficult          to          understand.                <\/p>\n<p>          Pastor Schwertley began his summation by stating that the adoption          of          hymnody began a history of declension, into a dark, uncertain future.          What          is needed, then, is a strict, consistent application of the regulative          principle of worship.                <\/p>\n<p>          Given that strict approach, then, &quot;There is no way in the world          to prove          uninspired hymnody.&quot; Alluding to his published writings on the          subject, he          declared that if anyone could show one example of an uninspired song          being          used in public worship in Scripture, &quot;I will publicly recant,          I will burn          my books!&quot;                <\/p>\n<p>          Mr. Schwertley argued that the Psalter &quot;is perfectly balanced          and meets all          the needs of men.&quot; He also stated that to mix the psalms and uninspired          hymns together is sacrilege. &quot;Can you imagine what God would think          of          adding to our Scripture readings, readings from Max Lucado, nineteenth          century feminists, Unitarians?&quot;                <\/p>\n<p>          He concluded by saying that we are to uphold &quot;our covenanted          reformation,&#8230; our Westminster Standards.&quot;                <\/p>\n<p>          After the debate, President Joseph Pipa asked the audience how many          there          who had come to the debate wondering about the issue, had been swayed          to          lean in one direction or another as a result of the debate. Several          dozen          hands went up. When he asked how many had been absolutely persuaded          as a          result of the debate, evidently no hands went up.                <\/p>\n<p>          [as reported in &quot;Presbyterian and Reformed News&quot;, January-March          2003.      www.presbyteriannews.org]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>After the debate, President Joseph Pipa asked the audience how many there who had come to the debate wondering about the issue, had been swayed to lean in one direction or another as a result of the debate. Several dozen hands went up. 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